OMG, I Sound Like My Mother

Why You Become Your Parents Under Pressure, Even When You Swore You Wouldn’t

Amara was halfway through a sentence when she stopped.

She’d been telling her daughter to hurry up, which was fine, she told herself. They were late. The bag wasn’t packed. The shoes were somewhere. But it was the specific words she’d used, the particular edge in her voice, the way her sentence had started. She’d heard all of that before. In a different kitchen. When she was the one being small.

She stood there for a second with her daughter looking up at her, waiting for the rest of it. Amara said;

“Nothing, Come on, let’s find your shoes.”

She didn’t speak much on the drive to school. She was busy going over something in her head. Something she’d been so certain about.

Amara had spent her twenties trying to understand her own upbringing. Parenting books, journals, long conversations with a friend who’d had a similar childhood. She could list clearly what had been missing: the patience, the warmth, the space to fail without it meaning something about who she was.

And so when her daughter was born, she thought she knew what she was doing. She wasn’t expecting it to be easy, but she believed, deeply and genuinely, that knowing what she didn’t want was enough to protect them both. Knowing the damage, she thought, was the same as knowing what to do next.

What she didn’t understand yet was that awareness of the wrong thing and knowledge of the right thing are not the same thing. You can know the destination you’re trying to avoid for years without knowing where you actually want to go. That’s a different journey, and it requires something different to navigate it.

For the first few years things went well. She was patient when she hadn’t expected to be. She handled her daughter’s crying differently to how she’d been handled. She managed to catch herself before the old patterns surfaced. She thought, with some relief, that she’d been right.

Then her daughter turned five, and life got noisier. Work got harder. The mornings got longer. And Amara noticed, in small increments, that something was slipping.

It wasn’t the obvious things. She wasn’t replicating the worst of it. But there was a sharpness in her voice sometimes that she didn’t like. A sharpness over small things that felt uncomfortably familiar. A need, occasionally, to just get through it that made her daughter’s feelings feel like friction rather than feedback.

She talked about it with her friend Priya one evening, describing the kitchen moment, the stopping mid-sentence. She said;

“The thing is, I know what I don’t want to be. I’ve always known. I just don’t think I know what I actually want to be instead.”

Priya looked at her for a moment.

“That’s probably the most honest thing I’ve heard anyone say about parenting.”

I’ve thought about that distinction a lot over the years, working with parents, coaches, athletes, and leaders. There’s a version of self-improvement that is entirely Away From: I know what I’m running from, and I’m running fast. It can work for a long time. The motivation is real, and the behaviour it produces can look, from the outside, like someone who has genuinely changed.

The trouble comes under pressure. When someone is tired, stretched, operating without thinking, the brain defaults to its earliest programming. The scripts laid down in childhood, don’t disappear because you’ve recognised them. They’re always there in the subconscious, waiting for the moments when conscious effort drops. The “omg I sound like my mother” moment isn’t a failure of awareness. It’s the gap between knowing what you don’t want and having built something to replace it.

That replacement is what we mean in the 7 Skills framework by Towards thinking. It’s not the same avoidance in a different form. It’s a different orientation entirely. Away From defines itself against the past. Towards defines itself toward something the person actually holds as true about who they are and who they want to be. One is navigation by what you’re fleeing. The other is navigation by what you’ve chosen.

The distance between those two things is Identity.

Amara didn’t overhaul anything after that conversation. She didn’t make a plan or set intentions. But she started asking herself a different question when she reflected on the hard moments. Not “what did I do wrong?” or even “how could I have done better?” but: what kind of parent do I actually want to be in moments like this?

She wrote some things down over a few weeks. Not principles or resolutions. She’d look back at the moments that had gone well: a Sunday afternoon when her daughter had been upset about something that seemed trivial, and Amara had sat on the floor next to her and just stayed there for a while, without fixing or redirecting. The feeling that gave her. That was something she wanted more of.

A conversation where her daughter had asked a question Amara didn’t know the answer to, and Amara had said so, and watched her daughter take that in, and thought: she’s learning it’s all right not to know. She wrote both of those down.

Then she started writing about the hard moments before they happened. Not predictions. More like a quiet rehearsal: she’d pick a situation she knew was coming, the kind of morning they’d been having, and write down in a sentence or two how she wanted to be in it. The parent who stays on the floor rather than reaching for the quick fix. As she read those notes alongside the memories, it felt different to anything she’d tried before.

She was beginning to build something that wasn’t a rejection of her own upbringing. It was something separate from it: her own material, drawn from her own experience of doing it well.

The IDQ, the Identity Quotient that we talk about in the 7 Skills, is not a measure of how thoroughly someone has escaped their past. It’s a measure of how much genuine, self-authored Identity a person has built. Someone can be entirely defined by what they’re running from and have low IDQ, even if the running looks like growth. Someone who is slowly, imperfectly building a Towards identity, naming it, testing it, revising it, is developing something with far more structural integrity.

Amara was starting to build.

About a year after the kitchen morning, there was a much harder one. Her daughter was seven by then, and she’d had a miserable week at school, and she and Amara had been sniping at each other for three days in a low-grade, grinding way that had worn them both down.

On the Saturday morning it broke. Her daughter said something sharp, and Amara felt the old surge: the one that wanted to shut it down, impose a silence, make the discomfort stop by force. She felt it rise up in her throat.

She paused, thinking very quickly about the floor of her daughter’s room, and sitting on it. What does she actually need from me right now?

“I think we’ve both had a rough week,” she said.

Her daughter looked at her. The sharpness left her face.

She found a book her daughter had been asking about, and they read side by side on the sofa for the next hour, not talking much, and Amara thought: this is what she’d meant, what she’d written down, what she’d been building towards.

The inherited scripts don’t vanish. Amara would tell you that herself. They still surface sometimes, and she still catches them at varying distances, occasionally early, occasionally not until after. But she’s stopped measuring herself against her parents’ worst moments and started measuring herself against her own best ones.

That shift matters more than it sounds. Away From gives you avoidance as a goal. Towards gives you something to actually reach for. And when you’re running on low sleep and high stress and a child who won’t put their shoes on, when the automatic programming wants to take over, having something to reach for turns out to make a significant difference.

It doesn’t have to be elaborate: a memory of a Saturday morning on the sofa, the look on your child’s face when you didn’t rush in and take over. Small and specific and entirely yours.

That’s what makes it work. It’s Identity you’ve built yourself, drawn from the moments you want more of. Under pressure, the words, the tone, the reaction come out automatically. That’s your Identity.

That’s the version worth passing on.